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In Hearing, sound becomes light, silence takes physical form, and everyday rhythms open quietly onto the mysterious.
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Original title: Thính Giác Year: 2026 Duration: 128 min Countries: Singapore, Vietnam, Norway, France, Indonesia, Saudi Arabia, Cambodia, Thailand, Taiwan Language: Vietnamese Subtitles: English Director: Lê Bảo Screenwriter: Lê Bảo Cinematographer: Nguyễn Vinh Phúc Production designer: Lê Văn Thanh Editors: Carlo Francisco Manatad, Dounia Sichov Sound design: Vincent Villa Music: Mental Overdrive Producers: Elizabeth Wijaya, Lai Weijie, Huỳnh Yến Cast: Nguyễn Quốc Tuấn, Ngọc Tản, Vân Hà, Chí Linh, Khánh Huyền

Ninh moves through the city installing decibel meters in homes and public spaces. He is trained to register noise, yet the disturbances shaping his own life are harder to measure. Living with his aging mother, separated from his wife and children, he longs to repair the distance between them, and between his parents, who have stopped speaking to one another.

Moving between intimate family drama, dry humour and the supernatural, Hearing listens to what remains after words have failed. It is a tender, sensuous film about estrangement across generations, the cycles we inherit and the fragile possibility of finding one another again.

Lê Bảo builds Hearing through carefully composed images, cavernous interiors and a soundscape in which the ordinary is never entirely stable. A cemetery, a zoo and a family home become acoustic chambers filled with uneasy presences. When sound crosses a threshold, it is transformed into an intense blue-violet light, making buried emotions suddenly visible. Mental Overdrive’s electronic score and Vincent Villa’s Dolby Atmos design do not simply accompany the film; they shape its mysterious inner world.

The film is presented in collaboration with Films From the South and supported by Sørfond.

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Director: Hearing, Lê Bảo Shorts

Born in 1990, Lê Bảo grew up in a house by the river in the slums of Ho Chi Minh City, where his interest in cinema began. He learnt about film by watching foreign films on his computer, and made his first short at 20 with a camera borrowed from a friend. He makes quiet, sensory films about closeness and distance, working with non-professional actors in the places he has known all his life. Taste (2021) is set in the slums where he grew up and follows a Nigerian footballer who moves in with four Vietnamese women. Hearing follows Ninh, a mechanic who installs decibel meters in homes and public spaces, and the silence between the people he loves. The film premiered in Locarno’s 2026 International Competition.

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