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An intimate and exuberant collective portrait of the Harlem Renaissance, and a celebration of cultural memory, and of the artists who keep it alive across generations.
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Original title: Once Upon a Time in Harlem Year: 2026 Duration: 100 min Country: United States Language: English Subtitles: English Conceived and filmed by: William Greaves Director: David Greaves Cinematographers: David Greaves, Doug Harris, David Hoffman, Jerry Pantzer Editors: Lynn True, Anne de Mare Sound: Clive Davidson, Roland Mitchell Sound design and mix: Mike Frank Music: Tamar-kali Producers: Liani Greaves, Anne de Mare Produced in collaboration with: Louise Archambault Greaves Archival producer: Matt Hoffman Production company: William Greaves Productions

In 1972, filmmaker William Greaves invited more than two dozen artists, writers, musicians and intellectuals of the Harlem Renaissance to a gathering at Duke Ellington’s townhouse. Many had not seen one another for fifty years. Over drinks, they reminisce, disagree, laugh and debate what the movement was—and what it had become.

Among them are painter Aaron Douglas, poet Arna Bontemps, photographer James Van Der Zee, composer Eubie Blake, artist Richard Bruce Nugent and historian John Henrik Clarke. Greaves’ roaming cameras bring us into the room, where history emerges not as a settled account, but through competing memories, forgotten stories and the pleasure of thinking together.

Greaves considered the project the most important of his career, but died in 2014 before completing it. Drawing on nearly 60,000 feet of restored footage, his son David has shaped the material into an intimate and exuberant collective portrait.

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Directors: Once Upon A Time In Harlem

William Greaves:

At a time when Black lives and perspectives were largely absent from mainstream American cinema, filmmaking became a way for William Greaves to address that absence. He documented communities, movements and individuals whose stories were often overlooked, offering a different view of American history. Between 1953 and 2005, Greaves worked as a producer, writer, director, cinematographer and editor on seventy-nine films. His work spans documentary, narrative and hybrid forms. His subjects range from the civil rights and Black power movements to figures such as Ida B. Wells and Ralph Bunche. With the *Symbiopsychotaxiplasm* films, Greaves pushed further into experimentation, questioning the boundaries between documentary, fiction and the filmmaking process itself.

David Greaves:

An award-winning filmmaker and journalist whose work spans documentary, cinematography, editing and journalism. David Greaves, the son of filmmaker William Greaves, worked as cinematographer and editor on many of his father’s films, including Symbiopsychotaxiplasm: Take 1. In 1972, at the age of 26, he was one of the original cameramen who filmed a gathering of artists and intellectuals at Duke Ellington’s apartment in Harlem. More than five decades later, Greaves returned to this footage to complete Once Upon a Time in Harlem, co-directed with his father. For Greaves, documentary filmmaking is a way of preserving not only people, but also the time in which they lived. His approach is rooted in cinéma vérité and in the belief that the camera can act as a kind of time capsule, capturing personalities, conversations and the atmosphere of a particular moment. Alongside filmmaking, Greaves has worked as a journalist and founded DBG Media and the independent newspaper Our Time Press in 1996.

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William Greaves

Symbiopsychotaxiplasm: Take 2½ (2005)
Ralph Bunche: An American Odyssey (2001)
Ida B. Wells: A Passion for Justice (1989)
From These Roots (1974)
Nationtime (1972)
The Fight (1971)
Still a Brother: Inside the Negro Middle Class (1968)
Symbiopsychotaxiplasm: Take One (1968)

(selected filmography)

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